Indians of Arkasnas Homepage


How do we learn about the past?

Indians Before Europeans
American Indian Perspectives
Origins of the Middle World
Creation of the World (Osage)
Creation of the World (Caddo)
Creation of the Sun (Tunica)
The Daughters and the Serpent Monster (Caddo)
How Tlanuwa Deafeated Uktena (Cherokee)
Lightning Defeats the Underground Monster (Caddo)
Chaos into Order
Maintaining Order in Osage Communities
How People Came to Hunt Animals (Caddo)
Origins of Corn (Natchez)
Origins of Fire (Cherokee)
Natchez Sacred Fire
Understanding the World Through Stories
Caddo Creation Stories
Story 1: Creation and Early Migration
Story 2: Creation of Day and Night
Story 3: Origin of Animals
Story 4: Coyote and the Origins of Death
Story 5: Origin of the Medicine Men
Story 6: Lightning and Thunder
Academic Perspectives
Ice Age Migrations
Paleoindians
The Dalton Culture
Archaic Period Cultures
Woodland Period Cultures
The Mississippi Period

First Encounters

Historic Arkansas Indians
The Quapaw Indians
The Caddo Indians
Tunica and Koroa Indians
The Osage Indians
The Chickasaws
The Natchez Indians

Indians After Europeans
Indians and Colonists
Indians in the Old South
Indians in the New South
Indians Today

Current Research
Ancient Foodways
Arkansas Novaculite Project
Bruce Catt
3LO226
Caddo Dance
CARV Project
Research Design
Introduction
Background
Project Goals
Previous Research
Project Organization
Arkansas Archeological Survey
Caddo Nation
Osage Nation
Quapaw Nation
Project Methods
Collection Inventory and Analysis
GIS, Remote Sensing, and Excavation
Summary
References Cited
Project Accomplishments
Project Initiation Meeting
Memorandum
NMAI Inventory
Gilcrease Museum Inventory
LSEM Inventory
UA Collection Inventory
3YE347 Survey
3PP274 Survey
3YE25 Survey
3YE25 Tree Planting
3YE25 Geophysics
3YE25 Excavations
3YE347 Analysis
3YE25 Analysis
3CN213 Analysis
Ozark Reservoir Analysis
Lithic Raw Materials
Year 2 Project Meeting

Writing Prompts

Learning Exercises
Indians and Animals
The Three-Layer Universe
Trade Goods
What is a Map?
Frontier Exchange Economy
Creation Stories
Children of the Middle Waters (Osage)
Origin of the Middle World (Yuchi)
The First People (Caddo)
Origin of the Supreme Being (Caddo)
Origin of Animals (Caddo)
Origin of Corn (Natchez)
Origin of Beans (Tunica)
Origin of Fire (Cherokee)
The Calumet Ceremony in the Mississippi Valley
Marquette Account
Gravier Account
Du Poisson Account
First Encounters: Cultural Perspectives
Gentleman of Elvas: Chapter XXII
Gentleman of Elvas: Chapter XXIII
Gentleman of Elvas: Chapter XXVI
Gentleman of Elvas: Chapter XXIX
Gentleman of Elvas: Chapter XXXII and XXXIII
Ritual Analysis
Caddo Harvest Ritual
Natchez Harvest Ceremony
Smoking Ceremony from the Songs of the Wa-Xo'-Be (Osage)
Transcending Themes

Project Background and History


End of Left Side of Page

The Three-Layer Universe

Indians of Arkansas and the South believed that they lived in a three-layer universe. This universe included an Above World, a Below World, and a Middle World in between. Humans lived in the Middle World. Many artistic images represent the individual layers. The winged serpent—a fantastic creature with the body of a snake, the head of a panther, and the wings of a bird—represented the entire universe of all three layers. How could this be so? Use your mouse to explore the winged serpent image to find out why it represents the three-layer universe.

The wings (along with birds, lightning, and other figures associated with the sky) represent the Above World that exists beyond the dome of the sky. The Above World is the realm of order and stability. It is the source of creative power. The souls of the ancestors reside in the Above World, so it also represents the legacy of past achievements.

The panther (along with images of other earthly creatures) represents the Middle World where humans live along with animals and plants. Happiness and success in the Middle World depend on balancing the forces of the Above World and the Below World. People can maintain that balance through various kinds of rituals.

The serpent’s body (along with other reptiles, amphibians, certain insects including spiders, and fish) represents the watery Below World. The Below World has characteristics opposite those of the Above World, so it is the realm of disorder and chaos. It is the source of destructive power. But since the sun rises each day after its nightly passage across the Below World, it also holds the promise for a bright future.



Indians of Arkansas and the South decorated many of their artifacts with images symbolizing the three-layer universe. Now that you know the properties of each layer, let’s see if you can identify the layer or realm associated with several artifact designs.

Courtesy of the University of Arkansas Museum
Courtesy of the University of Arkansas Museum
Above World --- Middle World --- Below World
Try again.
This pottery vessel depicts a frog, symbolizing the watery Below World.


Courtesy of the University of Arkansas Museum
Courtesy of the University of Arkansas Museum
Above World --- Middle World --- Below World
Try again.
This embossed copper plate replica depicts a human figure with falcon wings and eye-markings that represent the Above World. The falcon was admired for its powerful ability to attack prey. Falcon costumes were sometimes worn by Southeastern Indian warriors.


Courtesy of the Gilcrease Museum
Courtesy of the Gilcrease Museum
Above World --- Middle World --- Below World
Try again.
This engraved bottle is decorated with a sunburst design symbolizing the Above World.


Courtesy of the Gilcrease Museum
Courtesy of the Gilcrease Museum
Above World --- Middle World --- Below World
Try again.
This pottery vessel depicts a bear, symbolizing the Middle World. Because bears appear much like humans when they stand on their hind legs, Southeastern Indians told many stories about their relationships with bears.


Courtesy of the University of Arkansas Museum
Courtesy of the University of Arkansas Museum
Above World --- Middle World --- Below World
Try again.
This painted bowl is decorated with a spider design, symbolizing the Below World.


Courtesy of the Gilcrease Museum
Courtesy of the Gilcrease Museum
Above World --- Middle World --- Below World
Try again.
This pottery vessel depicts a rabbit, symbolizing the Middle World. Rabbit is featured in many Indian stories, often as a mischievous creature.


Courtesy of the University of Arkansas Museum
Courtesy of the University of Arkansas Museum
Above World --- Middle World --- Below World
Try again.
This fish effigy bottle symbolizes the watery Below World. If you look closely, you can see that the vessel depicts a bowfin.


Courtesy of the University of Arkansas Museum
Courtesy of the University of Arkansas Museum
Above World --- Middle World --- Below World
Try again.
This marine shell carving is shaped as a birds head and decorated with falcon eye markings, symbolizing the Above World.



body wings head
Indians and Animals
Trade Goods

 

 

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Last Updated: March 3, 2007 at 1:27:46 PM Central Time